The best camera of two worlds, now available.
The AG-DVX200 debuts as the world's first* 4/3-type large format camcorder with integrated zoom lens.
Combining digital video technology that Panasonic has developed over its long history of producing broadcast equipment with its expertise in professional camera recorder, the AG-DVX200 blazes an entirely new trail in video production.
This new camera recorder captures stunning images with the shallow focus and attractive Bokeh effect of its 4/3-type large-format sensor, and the latitude made possible by the 12-stop V-Log L processing inherited.
High-speed processing of these high resolution images by a new 4K engine enables high-quality, multi-format (4K/24p, UHD/60p, FHD/60p) recording.
Click image for further information PanasonicDVX200_I New 4/3-type Sensor for Beautiful Bokeh Effects and 4K Resolution The AG-DVX200 features a 4/3-type, largeformat image sensor. It creates highly attractive LEICA Dicomar Lens The high-performance LEICA DICOMAR 4K lens has passed the stringent quality standards of Leica Camera AG. A multi-coating process minimizes ghosts and flaring, while the use of a low-dispersion glass suppresses chromatic aberration. This results in especially clear images with very little color bleeding. 4K Engine with High-Speed Processing on a New LSI The 4K engine, which is mounted on the AG-DVX200's newly developed LSI, quickly processes the massive amount of 4K data. A new noise reduction function also minimizes noise when shooting dark scenes with increased gain. UHD/60p High-Resolution, High-Speed Full-Frame Recording Full frame rate recording at a maximum 60p (60 fps) is possible with UHD (3840 x 2160) resolution. This produces smooth, highresolution images from fast-moving scenes with no dropped frames. No dropped frames, which is important due to the recent announcement of UHD 59.94 native acquisition. Variable Frame Rate HD Recording at Max. 120 fps When recording at high Full-HD (1920 x 1080) resolution, the frame rate can be varied from 12 stops of Latitude from V-Log L The AG-DVX200 features a V-Log L function that is equivalent to the V-Log and curve characteristics provided on the new VariCam Series. Its 12-stop wide dynamic range SD Memory Card U3 Standard for 4K Acquisition The AG-DVX200 records onto SDHC/SDXC cards. Supporting the UHS Speed Class 3 for High-Quality 4K (UHD) 10 bit 4:2:2 Image Output The HDMI output terminal enables camerathrough output of 4K (4096 x 2160) /24p and Newly Developed Integrated Optical 13x Zoom Lens This 13x zoom lens comprises 17 lenses in 11 groups, including 5 aspheric lenses. It offers a level of mobility that is possible only with an integrated lens, extending from 28mm wideangle (in FHD mode)*1 to a wide zoom range with F2.8 brightness (at the wide-angle end), for news gathering and video production. The iA Zoom*2 function increases the zooming capability to a maximum of approximately 20x, while maintaining high resolution. Advanced Hand-Shake Correction • Advanced Optical Image Stabilizer (OIS): ND Filters, Gain, White Balance • ND Filters: OFF, 1/4, 1/16, 1/64 ND filters built-in. High-Quality OLED EVF The viewfinder features a high-resolution OLED display (approximately 2,360,000 dots, with an http://www.meproav.gr/images/MEPROAV/Products/UK_Site/Products/Panasonic/Panasonic_DVX200/EVF.png 4.3-type Touch Panel LCD The integrated, large-screen, high-resolution (approximately 2,760,000-dot) 4.3-type LCD HD monitor provides easy viewing for previews and focusing. Equipped with a touch panel, it allows use of area functions, such as Touch Focus, and enables an Icon Touch function for various settings and operations. Focus Assist Functions A wide variety of Focus Assist functions support quick and accurate manual focusing. LCD/EVF Displays That Assist Shooting • Waveform and Vectorscope Display: WAVE (Waveform) and VECTOR (Vectorscope) can be easily displayed on a subscreen of the LCD monitor. XLR Mic/Audio Input (2 Channels) • HDMI OUT: Outputs images up to 4K/24p and UHD/60p.* USB3.0 HOST/DEVICE • USB HOST: SD card data files can be copied onto external media, such as a USB hard disk XLR Mic/Audio Input (2 Channels) The AG-DVX200 features +48V phantom power supply XLR mic and audio input terminals
Bokeh effects by blending 4K resolution with shallow depth of field. It also lets you capture
clear images with minimal noise when shooting in dimly lit locations.
2 to 120 fps.* Slow-motion images can be achieved by shooting at up to 12x normal speed (in 24p mode), and quick-motion images can be produced by dropping frames.
* When shooting from 2 to 96 fps, 28.0mm can be achieved at the wide-angle end, but this is limited to 35.2mm when
shooting at 100 or 120 fps.
accommodates cinema production work requiring post-process color gradation. In addition to this, gamma curves can be selected from 8 modes, including CINE-LIKE V, CINELIKE D, FILMLIKE 1/2/3, HD and SD.
high-speed data transfer, this enables 4K/24p, UHD/60p, and VFR recording. Approximately 160 minutes of 4K/24p data can be recorded onto a 128 GB SD card, or a scene of about 110 minutes of UHD/60p data. (A 64 GB SD card will hold approximately 80 minutes of 4K/24p data, or about 55 minutes of UHD/60p data.)
UHD (3840 x 2160)/30p images. This allows uncompressed recording of 10 bit 4:2:2 image
quality by external recorders.*
*When HDMI / HDSDI is set to 10 bits, all internal recordings are disabled.
*1: 35mm film equivalent. Varies depending on the video recording format. FHD: 28mm, 4K/24p: 29.5mm, UHD/30p: 30.6mm, UHD/60p: 37.2mm
*2: Cannot be used in 4K/UHD shooting modes.
The correction area has been dramatically increased in the newly developed lens. This provides powerful correction even in unstable shooting situations, such as low-angle or highangle shots. The OIS lens drive mechanism has also been changed to a ball system. The ball OIS system reduces wear on the drive section, and greatly improves correction for smallamplitude hand-shake.
• 5-Axis Hybrid Image Stabilizer:*
By using hand-shake correction that combines the effects of both optical and electronic image stabilization, hand-shake in various directions, including the rotary direction, is detected and corrected.
* Cannot be used in 4K/UHD shooting modes.
• Gain Selector: Select from 0dB to +24dB gain for 3-position (L/M/H) allocation.
• AWB Selector: Two-value (A/B) memory and presets (3200/5600/VAR) can be selected.
image display area of approximately 1,770,000 dots) for excellent color reproduction. The EVF provides the ability to critically focus even in 4K.
• Expand: Visibility can be enhanced by expanding the display of any desired part of the screen.*
* The part to be expanded is designated by touching the screen.
• Peaking: The contours of subjects in focus are colored for display emphasis.
• One-Push AF: This function temporarily activates Auto Focus when shooting in Manual mode.
• Focus Transition: The focus can be shifted to a preset focus position (focal distance) with a single touch. Up to three focus positions can be preset.
• Area Function: Auto Focus is activated for a subject that is touched on the LCD panel. In addition to focusing, changes can be made to Auto Iris and Brightness Display.
• Level Gauge: Horizontal or vertical tilting of the camcorder can be checked on the LCD and viewfinder.
• ZEBRA: Two zebra patterns are integrated, from 50% to 105% in 5% steps.
• Marker (Y Level): The brightness level in the center of the screen is displayed in percentage.
• A Safety Zone Marker and Center Marker can be displayed.
• Picture Quality Settings: Detail, Skintone, Chroma Level, Chroma Phase, Color
Correction, Master pedestal level, Gamma and Knee can be set.
* Images output during UHD/60p recording are FHD.
• SDI OUT: Outputs HD SDI or SD SDI. Panasonic recorders equipped with SDI input
can be linked to the Rec Start/Stop function of the AG-DVX200.
• VIDEO OUT: Outputs composite images.
or USB memory device. Data copied onto a USB hard disk or USB memory device can also
be reproduced.
• USB DEVICE: The AG-DVX200 can be connected to a PC or Mac, and SD card files can be transferred for linear editing.
(2 channels). The front mic terminal is positioned behind the mic mount to prevent problems
such as obstruction when the mic is used at the side of the camcorder. The rear external audio terminal is positioned on the right side for situations where shoulder-type shooting is required. This also simplifies removal while holding the camcorder in shooting position.
- Newly developed F2.8 LEICA DICOMAR 4K lens
- 13x zoom, 4K (4096 x 2160) 24p: 29.5 mm - 384.9 mm
- FHD: 28mm - 365.3 mm (35 mm film equivalent)
- 5 axis Hybrid Image Stabilizer
- Inteligent Auto Focus system
- ND filters (1/4, 1/16, 1/64)
- Beautiful Bokeh effects from a 4/3-type, large-format sensor
- 12 stops of imager latitude faithfully recorded by new V-Log L gamma curve
- 60p images (MP4/MOV) with 4K (UHD: 3840 x 2160) resolution are recorded onto SD cards (Use SDXC/SDHC Memory Card compatible with UHS Speed Class 3 (U3) when using high bitrate video recording mode of 100 Mbps or greater)
- Variable Frame Rate with a maximum of 120 fps (in FHD resolution)
- Simultaneous, backup, and relay recording using two card slots
